Old folk at lunch

Wednesday, September 29, 2010


The Oberammergau passion play (about the crucifixion of Jesus) is the last of the Medieval passion plays. They were once common but even in Oberammergau the play is now put on only once every ten years. So it is of course a great and famous cultural event.

And 2010 is one of the years that it is performed. And knowing how much Anne likes such things, I would not have been able to rest easily on my deathbed if I had not sent Anne to see it this year. I wrote her a cheque that made it possible.

Below is her comment on what she saw:

"What a magnificent show! Perfectly done and just the grandest occasion. A large choir, orchestra, wonderful props and costuming and a great story. I just loved it... Thank you so much. I have bought a book and a CD which I think you will enjoy. 400 in the audience and not a spare seat. And they came from all over the world. I followed the English translation all the way using my trusty torch for the last 3 hour session. The weather has been great and even though I took lots of warm clothes to wear only 2 layers were needed."

While Anne was in Bayern ("Bavaria" to the English) she also saw Neuschwanstein and Cosi fan tutti (by Mozart) at the Bayerische Staatsoper so she made good use of her time in Germany.

Her comment on what she saw at the Staatsoper:

"The opera was great. I went in early to find the place as I have found finding the entrance to these places can be tricky. I had dinner and a beer over the road.... traditionally Bavarian of course and then wandered over. I had read the full libretto in the morning and just took the synopsis with me. Was a beautiful opera with all the cast having great voices. Female conductor who also played the harpsichord. The venue was just magnificent..... similar in the theatre to the one in Paris. I was impressed with the velvet on the hand rails."

Seeing one of Mozart's most marvellous operas in Muenchen was actually an unusually good opportunity. Bavarians and Austrians are quite closely related and speak much the same Southern German dialect so Mozart's thinking would have been very easily followed there.

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